DEPTH OF LANDSCAPE

DEPTH OF LANDSCAPE

  • 以既有建築架構為基礎，透過量體關係、界面轉折與尺度調整，重新建立空間秩序。

    設計並未追求形式性的重構，而是在原始條件之中，以減法策略梳理光、材料與景觀之間的關係，使空間回歸至更純粹的感知狀態。

    量體被視為界定空間的重要構成，藉由局部退縮、轉折與包覆關係，形成介於開放與圍塑之間的灰階層次，使視線、動線與光線得以在其中緩慢滲透。

    材料策略建立於低干擾與連續性的控制之上。木皮保留自然紋理與細微色差，使界面呈現可被辨識的時間性；天然石材透過礦物紋理與質地重量，形成穩定的構造感知；手工塗料以低反射的霧面肌理，建立連續且內斂的背景界面，弱化多餘的視覺訊息。

    光被納入空間構成系統之中，自然光沿著立面、天花與量體邊界移動，透過光影變化強化空間深度與構造層次；而窗外山景則作為視覺延伸的一部分，被納入室內尺度關係之中，使景觀與空間形成連續性的感知場域。

    Grounded in the existing architectural framework, the project re-establishes spatial order through the articulation of mass, sectional transitions, and calibrated proportions.

    Rather than pursuing a formal reconstruction, the design adopts a subtractive approach within the given conditions—carefully mediating the relationships between light, materiality, and landscape—allowing the space to return to a more distilled and perceptual state.

    Volumes are treated as primary spatial instruments. Through moments of recession, folding, and enclosure, the project constructs a gradient condition between openness and containment, enabling sightlines, circulation, and natural light to permeate the interior with measured continuity.

    The material strategy is rooted in restraint and continuity. Wood veneer retains its organic grain and subtle tonal variation, revealing a discernible sense of temporality across surfaces; natural stone introduces a stable tectonic presence through its mineral texture and inherent material weight; hand-applied finishes, with their low-reflective matte quality, establish a quiet and continuous background plane that softens unnecessary visual noise.

    Light is conceived as an integral component of the spatial composition rather than a supplementary condition. Natural light moves along vertical planes, ceilings, and volumetric edges, reinforcing spatial depth and tectonic definition through the shifting presence of shadow and illumination. Beyond the interior, the surrounding mountain landscape is incorporated as an extension of the spatial field, allowing exterior scenery and interior perception to form a continuous experiential relationship.



    DEPTH OF LANDSCAPE
    INTERIOR PROJECT｜2026

    Space Type｜Residential
    Floor Area｜115 m²
    Location｜Taipei, Taiwan
    Photography｜MD

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